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You aren't missing anything, Milton.
I don't know if he meant it this way, but terrorism will be less of a threat if we take our troops out of the Middle East.
Like almost all rappers credited with writing something meaningful, Tupac Shakur is highly overrated. Almost all of his lyrics are flat out terrible and vulgar and vacuous. I liked a couple of his raps, and I suppose it's possible if you are overly generous to credit a small number of his works as being thoughtful, but on the whole they are just base idiocy. Here are some examples of his typical writing: This is a different tune with a similar quality: And here's yet another entry in the Tupac pantheon:
MB just lost half his support at BBTF with the Rand revelation.
But I had so many people I deeply respected who loved Tupac so deeply, I had faith there was more to him than the few tracks I had heard.
I still don't see him as a prophet, but I've seen how "Brenda's got a baby" affects students and gets them talking and thinking on issues that abstinence only crap literature sure doesn't.
But everyone's got their own perspective, and that's fine. I just get the feeling that Rich is speaking from not having any idea what's out there in hip-hop, which is unfortunate.
He probably picked some up, too.
If a baseball player loses support/respect because of an author he likes to read... I don't think that shines too kindly on BBTF.
Heh.
That is true. I don't pretend otherwise. However, every time someone has told me so-and-so rapper is a great lyricist, and I've read his lyrics, I've found little to be inspired by. I actually do like Tupac's music -- some of it, anyhow. But am I familiar with all of his tunes and there are very few which are not pathetically vulgar and uninspiring.
I've seen how "Brenda's got a baby" affects students and gets them talking and thinking on issues that abstinence only crap literature sure doesn't.
If that's the case, then the rap works on a level I wasn't considering. That said, "Brenda's got a baby" always struck me as the rapper's version of the cliche Afternoon Movie Special. It's also, for Tupac, not musically very good.
Well, When The Music's Over, I guess this is The End.
Anyway, I'm not a huge Tupac fan (you want lyrical dexterity, look to GZA, Inspectah Deck (hell, much of the Wu-Tang Clan) and Nas), but I always liked this lyric:
That's from Hellrazor off of his 2nd posthumous album (Makaveli being the first, though that was completed before he died). Looking at it on the page, it doesn't look like Milton, but when he says "thug life ############" with such emotion, such comparisons seem to miss the point. Just thinking about that line gives me chills, it's like he distilled all the pain of every thing that ever went wrong for him into that one line, which is why, I think, his music resonates with so many people. It's the emotion, not so much the specific words.
Part of the problems with parsing rap lyrics is that most sources on the web have many of the lyrics wrong.
He probably picked some up, too.
Ding ding ding ding we have a winner!
BTW Shooty I got the DVDs, thanks! I just need to get the first two seasons now and I can watch it. ;-)
Sure, blame it on your mother.
What makes Tupac special is his flow and the emotional density of his delivery, capturing a pretty incredible, and ultimately pretty contradictory span of feeling in the way he inflects his words.
Evaluating Tupac's lyrics by reading them on the internet out of context is a very bad way to evaluate him as an artist.
I've noticed that on subtitled DVD's as well. I don't remember the words that were on my screen, but they sure as heck weren't "you call me a friend, but you only want my ends, and I'd never see you if I had no loot"
That's fair, as long as his fans confine themselves to describing them as performance art a la a typical open mike night at the Nuyorican or something.
However, when his followers talk about him as a poet, it's also fair to parse his lyrics as poetry.
I also agree with Rich Rifkin that parsing any popular music as poetry is a recipe for derision.
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