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Baseball Primer Newsblog— The Best News Links from the Baseball Newsstand
Wednesday, April 22, 2009
And Maury dials up…“Now, all MLBAM needs to do is hire Rush, and you have the Red Sox/Yankees.”
MLB Advanced Media (MLBAM) announced today that it has hired anchor, sportscaster and journalist Keith Olbermann as an at-large columnist. Olbermann’s columns, currently available three times per week at keitholbermann.mlblogs.com, will provide fans with his “Baseball Nerd” perspective of the game across various platforms. He also is the first national journalist hired as part of MLBAM’s digital newspaper initiative, currently scheduled for a May launch.
At his request, Olbermann’s full salary for his work as an at-large columnist will be split equally among three charitable organizations. They will be: the Baseball Assistance Team, St. Jude’s Children’s Research Hospital and the Jayden Braden/Ariana Marzano College Fund, established in support of the late John Marzano’s grandchildren. Marzano, a former Major Leaguer and MLB.com host, died just over one year ago in a home accident in Philadelphia.
“I’ve long respected MLB.com’s editorial independence and I’ll be delighted to test it,” said Olbermann. “Seriously, it’s an honor to be able to write about all the obscure things I love inside the game I love, and to help some worthy causes in the process, and to honor an old friend. Not to mention that it will be my politics-free oasis. Unless another cat jumps up at another Governor.”
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I think most people think "Everybody Hurts" when they think of this album, and it's probably one of the worst songs on there. "Nightswimming," "Find the River" and "Sweetness Follows" are amazing songs. Radically different than what they were doing in the 80s, but stunning stuff all the same. Maybe you just need to have a wuss side to you to like it, though, and I'll admit that I have a wuss side.
-moment of silence-
and as much as I love experimental noise, it was more of the same for me as with a lot of his work. Such an awesome voice, so little singing, perhaps none at all. It was really frustrating, even when I knew it was coming.
Odds are this won't interest many, but: Scott Miller (of Game Theory and the Loud Family) has been listing his favorite songs by year in a recent series of posts here.
I can't imagine putting AC/DC ahead of Outkast - neat.
Sugar Ray were good at what they did. I don't need to own any of it, but they were fine. Color Me Badd was awful.
"The Freshmen" is one of my least favorte songs of all-time. Hearing it actually makes me angry for reasons that are unclear to me.
Also, Ministry was putting out some of their best stuff around that time, the Depeche Mode "Violator" album came out in 1990, and the first Radiohead album, flawed as it was, came out in 1992.
It was sort of a golden age for rock music, before Clearchannel stomped it into the mud.
I dunno. It was for me, because that was when I first developed a meaningful engagement with it, but a lot of hasn't aged all that well (IMO).
No, you aren't.
I find it amazing that so many people did not like Audioslave, and I am not just talking about here. Plenty of my friends and acquaintances never got into Audioslave but were nearly as hardcore about Soundgarden as I was.
Audioslave was comprised of arguably the best vocalist (Chris Cornell) at least of the 1980's and '90's; arguably the best guitarist ever (Tom Morello); and two musical experts on bass (Tim Commerford) and drums (Brad Wilk). What's not to like?
Their second album, Out of Exile, was their worst in my opinion (because it consistently failed to accentuate the best parts of the band: vocals and guitar), but their first self-titled album blew me away and their third album, Revelations, was very well-constructed with a masterful blend of old and new stuff.
Cornell didn't sound that different than he did in his Soundgarden days, so I just don't know how one can like or love Soundgarden but not like Audioslave unless you are a hardcore Soundgarden enthusiast and hate anything the guys do afterwards outside of a band rebirth.
By the way, Cornell's "I Am the Highway" is the best vocal performance I have ever heard.
KRS-One was one of the pillars. For the time, I think REM chose well. Listening to it now it can't help but sound dated, of course.
Am I the only one who was a big Nine Inch Nails fan in the early '90s? "Broken" is a masterpiece.
Broken is awesome, and I've liked a lot more of Reznor's output than is probably acceptable, but I still think that NIN has the great notoriety of being unable to top their very first single with anything that followed.
I think there's this, and also the Rage Against the Machine fans who were pissed that they broke up.
Audioslave was terrible on it's own merits. The fact that Tom Morello was wasting his immense talent making that awful trash music just made it worse.
The problem is, the performance seems to be wasted on an incredibly dull song.
Technically Nine Inch Nails' first single was "Down In It", but I get what you mean.
I loved "Head Like a Hole", and was blown away by the "Broken" EP (and the "Fixed" remix). "The Downward Spiral" was really good, but kind of a step down from there. I haven't been much of a fan since then.
Looking back at it, they were pretty pretentious, but I still think Tool was pretty amazing. The "Opiate" EP came out in 1992.
Maybe it's just me - I was 16 in 1991 - but I have a hard time thinking of a more fecund time, musically speaking. Great stuff seemed to be coming out all the time.
What other composition would go better with it? If "I Am the Highway" is more hard rock-ey then it overshadows Cornell's vocals and it really loses its emotion. I guess Morello could have thrown in some wah-wah solos as he was wont to do but it would have really stuck out like a sore thumb.
I think every 16 year old who is into music feels that way. 1986 produced Reign In Blood, Master Of Puppets, Peace Sells, The Age of Quarrel, Orgasmatron, and a bunch of other awesome metal albums. I have never been happier than I was that year.
Edit: or what Tribefan said.
To my ears, the composition is just dull. No amount of guitar soloing would make a difference. I would never claim this as an objective observation, but for me there is no melodic hook in the song that makes me want to listen. In a way, it actually tries too hard to be good and fails, it should have stayed out of Cornell's way, pared back, and just been a showcase for him. As it is, it just trudges along in a middle area that I find entirely forgettable. My OPINION, though, that's what makes music art, and debatable. :-)
How do you find the time to both roll in the 'burbs and blog from your mother's basement?
Understood. I thought you had a suggestion already in mind, but I can understand how it can't be everyone's cup of tea.
Edit: or what Tribefan said.
I see what you did there.
They only nuked it if you narrowly define "Glam Rock." Here are the best selling albums, year by year, in the 1990s. Tell me what impact Nirvana had on any of this crap:
The best-selling album of 1990 was Rhythm Nation 1814, by Janet Jackson.[35]
The best-selling album of 1991 was Mariah Carey, by Mariah Carey.[36]
The best-selling album of 1992 was Ropin' the Wind, by Garth Brooks.[37]
The best-selling album of 1993 was The Bodyguard Soundtrack.[38]
The best-selling album of 1994 was The Sign, by Ace of Base .[39]
The best-selling album of 1995 was Cracked Rear View, by Hootie and the Blowfish.[40]
The best-selling album of 1996 was Jagged Little Pill, by Alanis Morissette.[41]
The best-selling album of 1997 was Spice, by Spice Girls.[42]
The best-selling album of 1998 was Titanic Soundtrack.[43]
The best selling album of 1999 was Millennium, by Backstreet Boys.[44]
And I freakin' LOVE Nirvana.
GOD, NO. Those Thompson Twins albums have not aged well.
Then again, Husker Du has.
Rhythm Nation 1814 was a great album, BTW.
It tells you that, like most other consumer products, music sales are driven by 18-35 year-old women.
Well, none of it was in any way glam rock, at least. No one said Nirvana nuked country music or pop singer divas.
But please, don't make me do that.
Were there any songwriters in the band?
I'm probably going to go with Mr. Bungle, Anonymous, or The Director's Cut. Only the first of which has much real singing on it, but oh well.
I know it's pretty cliche, but I have to go with Angel Dust.
Thing is, while I can imagine someone who was born in, say, 1953 thinking this way, I have a hard time imagining someone who was born in 1990 feeling this way.
I feel like there's been a lot of crap the last decade or so, and the stuff that I like, it's either work by more mature artists (people who were around in the early '90s) or it's totally derivative of earlier stuff.
And with that, I kindly invite all of you to get off my lawn.
"was" pretty amazing? They still are. They're my second favorite band, and Lateralus and Aenima are both among my top 10 albums all time.
I find at least half of those to be very irritating songs, especially YGWYG and Closing Time. OTOH, if The Way or Flagpole Sitta is on the radio, I'm keeping it there.
Yes, I still listen to the radio. I'm old.
When I hear Sugar Ray's "Fly", I always instantly think back to driving across the Franklin Bridge in Tampa Bay with mrsidiom in a rented convertible with the top down in early November 1997, two days after we found out we were going to be parents. We knew this was our last true getaway, and we were enjoying the moment. "Fly" is not a good song, but at that moment it was the perfect song.
Two other songs are like that for me: Don Henley's "The Last Worthless Evening", which came on the radio shortly after my ex-girlfriend (now mrsidiom) and I reconciled in 1990; and Wilson Pickett's "In The Midnight Hour", which came on the radio around 10pm after my wife had been through 15 hours of labor (of an eventual 25 hours) with our first child. I can't hear those songs without thinking of those moments.
Cloud Cult
M83
###### Up
Underoath
Tim Hecker
etc. etc. etc. etc. etc. get off MY lawn!
If I could eradicate one radio genre for all eternity, it would be classic rock. Without even blinking.
I don't recognize any of those other names.
And with that, I kindly invite all of you to get off my lawn.
And here's where I go into my standard spiel of not letting what's mainstream dictate whether a musical era is good or not. Well...not really a spiel, just that sentence.
Hmm -- seeing that I was born only two years before 1990, I'm going to have to take issue with that. I guess it depends on tastes, though -- the 90s were kickass if you were into hip-hop. I can't say I know a whole lot about the early-90s music scene (being 10 years old or less and all) but I caught the end of the Notorious B.I.G. and Tupac's stuff and there was a whole lot of good there. As I've gotten older I've realized just how sweet those early-90s were -- Wu-Tang and their solo acts (particularly GZA -- Liquid Swordz is one of my favorite albums, only behind 36 Chambers), NWA, Eric B and Rakim (I know I'm fusing late 80s and early 90s here -- I apologize for that)...
And if this is the designated music thread, I'm pretty pumped about Lollapalooza's lineup. I'm not crazy about any of the headliners but the 'undercard' is outstanding -- Arctic Monkeys, TV on the Radio, Deerhunter, Kaiser Chiefs, Los Campesinos, Ben Folds... suffice it to say the $190 decision is an easy one this year.
Edited to clarify some things.
ding, ding, ding.
Tried to find the studio version of "Say Hello 2 Heaven" on youtube to post in response, but it's all crappy live versions (soundwise).
That's a hell of an album and often overlooked.
Great story, nonetheless. I figured that Sugar Ray wasn't completely useless, now I have proof. I also like Madonna's "Hollywood" for a similar set of reasons, but I'd never admit it.
I have NEVER liked Ben Folds, and he was such a darling in the late 90's. I definitely like the Arctic Monkeys, though.
I'll also add Jakobinarina and The Constantines to new things out that I like.
Sure, I'll admit that I haven't done a ton of research - it's more just a feel for the zeitgeist. But if there's good music out there nowadays, it sure feels like it's hidden. When we were kids, we could hear good stuff even on MTV, if we knew when to turn it on (here's where people link to websites that kids frequent these days).
I miss 120 minutes. Or maybe I just miss my youth. Either one.
As far as I remember, the crowd was more or less losing their sh*t throughout the whole concert, but I remember even at 12 thinking she had jumped the shark.
Given Paula's lack of lucidity these days, the idea of her singing a duet with a giant cat in sunglasses strikes me as something that might be fairly normal to her.
I still find her wicked hot, in spite of, or possibly compounded by, her batsh*t craziness.
I think, maybe, if I'm lucky, the 120 Minutes holy grail of clicking the remote whenever we saw a video that we liked is still on those two VHS-120s in a box somewhere.
The Beastie Boys put out some good stuff around this time, too - I want to say that "Paul's Boutique" was '89, and "Check Your Head" '93.
I'm not a rap fan by any stretch of the imagination, and even I loved "Fear of a Black Planet". Was never a fan of NWA and their spinoffs, though.
I can't argue with that. I remember about 5-6 years ago, at the end of high school and beginning of college, spending most of my time digging around on music message boards and such to find new bands. I kind of regret that I don't do that anymore. I've already fallen into the mode of only checking out new releases from artists I already know I like, and only occasionally happening to find a new band to listen to.
In a lot of ways I see the current rap world as much like the rock world pre-91. A bunch of glammers babbling on about champagne and the like. I can't wait to see what "Nirvanas" the current rap era. I've always wanted hip-hop to really embrace jazz and musicianship a bit more, but I suspect it will be interesting whichever way it goes.
agree, things have gotten progressively worse since then for them.
Did you know about Dark Sun Riders? (which personally I didn't think was good, but for some reason I never got that into X-Clan either)
Actually, Check Your Head did radically different things than Paul Boutique did. One was sample-heavy groove-fest, the other was a (sorta) DIY organic thing. I can see comparing Check Your Head and Ill Communication, but Paul's Boutique was sui generis.
A wasteland is rock radio, pretty much without a break from 1993 to the present.
Don't know whatever it is they're doing these days, but those albums up through Yield...surprisingly not bad from a melodic point of view. Not exactly Pavement either, if you know what I mean, but then what is?
My favorite from that album is actually the lesser-known "Nothingman".
Yeah, and it's not bad- but (wait for it) it's not as good as the early stuff.
I must admit that I haven't followed rap very closely for the last few years, so there's more than a little "get off my lawn" in my comment. Still, I stand by my somewhat uninformed and ignorant statement.
Radiohead owns the 2000s in a similar fashion (their work didn't really reach its peak until Kid A and beyond). Similarly, there's just not much room for arguing this point. I would appreciate it if you all quietly fell in line, thank you very much.
Pfft, this HARDLY describes the curvy Winona Ryder!
Radiohead's best CDs were released in the 1990s.
Porcupine Tree is the best band of the 2000s.
Also 90s hot but not boyish:
Marissa Tomei
Gillian Anderson
Claudia Schiffer
Madonna
Janet Jackson
Christina Applegate
Michelle Pfieffer
Cindy Crawford
Sherilyn Fenn
Agreed. Though Kid A and Amnesiac are better than any other non-Radiohead album made in the 2000s, OK Computer beats all.
The Bends is my favorite Radiohead album. I love OK Computer, but it felt a little concept-y for me at times. With that said, "Let Down" is probably my favorite Radiohead song. I haven't listened to Kid A enough to give it a fair opinion.
I'd also strongly put in Lupe Fiasco. I'm not even a huge hip-hop fan, but The Cool is probably my album of 2008. Kanye should also be in there, and, if you want to broaden your definition of the genre, M.I.A. and Santogold.
Can't believe no one's thrown out Mayday
And yes, Maynard Keenan is fantastic.
But seriously now: the music on The Bends and OK Computer, while objectively excellent, simply shrivels in comparison to what they've done since. Kid A and In Rainbows are their greatest, most subtle work, Hail To The Thief is not far behind (stupid title notwithstanding), and even the flawed Amnesiac contains several of their signature songs like "Pyramid Song," "Like Spinning Plates," "You And Whose Army?" and "Life In A Glasshouse." And jesus, are you familiar with the B-sides from the Kid A/Amnesiac era? An album's worth of top-shelf material hidden away there as well. Taken together, it makes their pre-2000 work just seem BANAL and boring my comparison.
I agree, and yet I feel like there's definitely a lot of resistance from certain quarters to including her.
Oh, and re: early 90's music being gone - 99% true, but I love what Silversun Pickups is doing. Sure it's derivative, but it's done really, really well.
Their best album will always be Murmur, and their most interesting period will always be the early one from Chronic Town to Reckoning, but I give them credit for impressively reinventing themselves with Automatic For The People. There's only one terrible song on that album ("Ignoreland" - it's not the politics I object to, it's the chintzy arrangement and terrible mood-shattering out-of-place-ness), and the rest is beautiful, hauntingly mature material. "Sweetness Follows" and "Find The River" might actually be their two greatest songs, or at least close. And "Sidewinder" and "Man On The Moon" are two of those "popular hits" that miraculously never get old or annoying.
Their last great work was Up -- a powerful response to the pressure of coming up with something relevant after Berry's departure shook the group up -- but they've been godawful since then.
What has made hip-hop the most important, and the defining art form of the millenial age, is its continual expansion - the genre born when an African-American block party tradition met Jamaican DJs and Hispanic dances and expanded almost immediately to various culturally and artistically hybrid settings, which developed a tradition of sampling in which the whole history of recorded music became a part of hip-hop's language, is going to be defined by its expansion and its continual pushing at boundaries. M.I.A., for me, is one of the truest hip-hop artists working today.
I really like the Silversun Pickups. Yeah, pretty derivative of the Smashing Pumpkins, but still quite good.
Undertow - Tool
Apple - Mother Love Bone
Dookie - Green Day
Temple of the Dog
Bad Motor Finger - Soundgarden
NIN - Broken
Dirt - AIC
Every track by Rage Against the Machine
Me too.
Loveless - My Bloody Valentine
Slanted & Enchanted - Pavement
Crooked Rain, Crooked Rain - Pavement
OK Computer - Radiohead
Vitalogy - Pearl Jam
Songs From Northern Britain - Teenage Fanclub
Blur - Blur
Sci-Fi Lullabies - Suede
(As you might have guessed, I'm quite the Anglophile)
Undertow - Tool
Heh, you might be just about the only person in the world taking Undertow over Aenima. My favorite 90's albums in no particular order:
Tool - Aenima
Incubus - S.C.I.E.N.C.E.
Porcupine Tree - Stupid Dream
Radiohead - OK Computer
Pearl Jam - Vitalogy
Faith No More - Angel Dust
Smashing Pumpkins - Siamese Dream
Anathema - Judgement
Weezer - Blue Album (just barely over Pinkerton)
Dream Theater - Scenes from a Memory
Billy Bragg -- Don't Try This at Home (by far his most consistently good LP)
Chumbawamba -- Shhhh (ditto for Jesus H Christ, the album that Shhhh would've been if they hadn't run into legal trouble over all the samples)
House of Love -- s/t (butterfly cover) (if the Stone Roses had been everything they were supposed to be, they would've been the House of Love, at least as manifested on this album)
KMFDM -- whatever half-dozen or so albums they put out during the era, because back then they were averaging more than one a year, or so it seems in retrospect
Mekons -- Curse of the Mekons (quite possibly the best album ever by a surpassingly brilliant band), I (heart) Mekons
Pogues -- Waiting for Herb (turns out these guys were capable of great pop after that toothless lush went off & crawled all the way into his bottle, or whatever the hell he was off doing at the time)
Wir -- The 3rd Letter (vastly better than it has any right to be)
Sisters of Mercy -- Vision Thing
Pegboy -- Strong Reaction
My Life with the Thrill Kill Kult -- Confessions of a Knife
Lemonheads -- It's a Shame About Ray
The Fall -- Infotainment Scan, Middle Class Revolt, Code: Selfish
Jazz Butcher -- Cult of the Basement
Buzzcocks -- Trade Test Transmission
Jack Frost -- s/t
Pulp -- His 'n' Hers
Again, those are all completely off the top of my head & by really obvious (to me, anyway ...) bands. I have to assume that I'm overlooking at least a couple of fine-to-excellent LPs by more obscure acts for every one of those.
Hootenanny, The Replacements (still listen to it)
Tim, The Replacements (wore it out permanently)
Murmur, REM (wore it out permanently)
The Joshua Tree, U2 (wore it out permanently)
Electric, The Cult (wore it out permanently)
Surfer Rosa/Come On Pilgrim, The Pixies (still listen to it)
Damaged, Black Flag (still listen to it)
Every Dog Has His Day, Let's Active (don't like it anymore)
Vs., Mission of Burma (can't find it on Itunes, but would love to)
Not for me. I listened to this stuff when I was in junior high, and then got into "classic rock" and jazz in highschool. As a teenage I could never really ignore contemporary music, and so had an opinion on it. But I stopped buying what was on the radio in about 1994.
I disagree. We've got Tip in his prime, Li'l Wayne crazying out all over the place, Nas and Jay-Z still performing at a high level - the early to mid-90s were undoubtedly a period of incredible artistic productivity within hip-hop, and I don't see anything going on today that compares, but this isn't a wasteland.
Yup, early-to-mid-90s rap was amazing as long as you ignore the fact that a lot of what was popular on the radio was Vanilla Ice and stuff like that.
There's a tremendous amount of great hip-hop that's been produced over the last decade, although most of it hasn't made it into the mainstream. Talib Kweli, Mos Def, the Roots, Slum Village, Jurassic 5, Blackalicious, Lyrics Born, Strange Fruit Project, k-os, Lupe Fiasco, most of the stuff that's been put out by Def Jux, Rhymesayers, Justus League, etc. It's obviously not for everyone, but if you like hip hop the only reason you can't find something you like today is that you haven't really looked.
The same thing can probably be said for any musical genre. When I was growing up, the only music we really had access to was what they played on the radio and what they sold at the local Sam Goody. Now, all you need is an internet connection and a little bit of time.
</rant>
This is like saying "I like women (except for their boobs and vaginas).
You ain't kidding. Glam rock was fine anyhow.
Putting aside what "truest" means, I agree. Anyhoo, there's plenty of solid hip-hop/rap out there (I tend to favor the backpack crowd), it just tends not to get radio airplay... kinda like the top rock artists, etc...
Dave, here's your Coke.
I like "Vs" better than "Ten" or "Vitalogy". "Rear View Mirror", "Leash", and "Elderly Woman" are amazing. "Glorified G", "Dissident" and "Daughter" are all great.
Sugar Ray's "Every Morning" and Lit's "My Own worst Enemy" are two of the catchiest songs of my lifetime, in that they get stuck in my head big time.
Murmur will always have a special place in my collection, but the album from their I.R.S. years that I like the most is Life's Rich Pageant.
There, I said it.
Jesus, yes. Marc Bolan, RIP.
Jellyfish - Bellybutton & Spilt Milk
Redd Kross - Third Eye & Phaseshifter & 2500 Redd Kross Fans Can't be Wrong
Tool - Aenima
Mike Watt - Ballhog or Tugboat
Prince - Graffiti Bridge & the Gold Experience
Trip Shakespeare - Lulu
Everclear - Sparkle and Fade
Smashing Pumpkins - Gish & Siamese Dream
Sugar - (everything)
Fishbone - Reality of my Surroundings
Material Issue - Freak City Soundtrack
Vernon Reid - Mistaken Identity
Semisonic - Great Divide
Slayer - Decade of Aggression
Sunny Day Real Estate - The Rising Tide
Team Dresch - Personal Best
Mr. Bungle - Mr. Bungle
Oranger - Doorway to Norway
Oingo Boingo - Farewell Concert
Poster Children - RTFM
Terminator X and the Godfathers of Threatt
They Might be Giants - Factory Showroom
Anthrax - Attack of the Killer B's
D-Generation - D-Generation
Fountains of Wayne - Fountains of Wayne & Utopia Parkway
Pavement - Crooked Rain, Crooked Rain
Nine Inch Nails - The Fragile
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