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Mankind -- that word should have new meaning for all of us today.
We can't be consumed by our petty differences anymore.
We will be united in our common interests.
Perhaps its fate that today is the 4th of July, and you will once again be fighting for our freedom, not from tyranny, oppression, or persecution -- but from annihilation.
We're fighting for our right to live, to exist.
And should we win the day, the 4th of July will no longer be known as an American holiday, but as the day when the world declared in one voice:
"We will not go quietly into the night!
We will not vanish without a fight!
We're going to live on!
We're going to survive!"
Today, we celebrate our Independence Day!
I mean... um...
Get it? Ex-Ray? Haha! Hahaha!
Am I the only one the refers to him as Pu Pu? People at bars here look at me like I'm crazy when I scream it out after he does something good, even though I'm probably the most adamant fan around here.
(Relevence to article = -3 but just a sidenote)
Yes. Thankfully.
what was he on probation for, anybody remember?
oh wait that's Al Reyes
(when the Yanks played the Rays a couple of series back people were going like WTF? why is Reyes on the mound and not in jail? he then promptly served up a tie breaking taser .
"Now get out there and don't kill the mothers of your children, you big lug."
To make matters worse, he thought he was channeling the rice guy.
weed possession < 20g
"Maybe in order to understand mankind we have to look at that word itself. Mankind. Basically, it's made up of two separate words: 'mank' and 'ind.' What do these words mean? It's a mystery, and that's why so is mankind."
~ Jack Handey
"The kid hits for power and keeps his glove in his pouch! What's there not to love about him?"
I call him a Dookaroo.
Sure, if you can count on justice from a kangaroo court.
Allow me to geek out for a moment: This was first written by Stan Lee as "With great power there must also come - great responsibility!" in the first appearance of Spider-Man, Amazing Fantasy #15 (1962). It was then morphed into the much more poetic and "With great power comes great responsibility" in later stories. It's often noted as coming from the 2002 crap-ass Spider-Man movie, but it had appeared in many many MANY Spider-Man stories for decades previously.
Even with everything else he's done, it is most likely this phrase that will carry Stan Lee into immortality.
(I must credit Wikipedia for some help here.)
phew, for a second there I thought you were just a huge nerd
Well, I think the problem was that I waited FOR TWENTY YEARS FOR THAT MOVIE and my expectations were so high there wasn't really a chance in hell it could live up.
That being said, I still think the writing was awful, and each successive film only got worse.
Even if that judgment was made about Stan Lee (and for various periods over a 50-year writing career it would be stupid to disagree) it has nothing to do with SIX WHOLE HOURS (over the course of a few years, I guess) the screenwriters couldn't manage to do a decent job with.
You raise some good points; I'm not the world's #1 Stan Lee expert, or even the #1,000,000. But I judge by the Spiderman #1 etc. comics I read a couple of years ago when they were printed and distributed with the Sunday paper here. The person who wrote those wrote badly. The screenplay did what it could to smooth over the rough spots, but it couldn't help being a bit clunky if it was going to adhere to the original idea (straying from it was apparently not an option).
I'm curious to know what you found to be wanting in the movie treatment vs. the comic.
Tell it to the judge.
I fully expect it to morph once more into a Selig-bashing thread once the infamous "Spider-Man II MLB" weekend is retold.
This thread may be like the Borg (or Omega series Sentinels, if you want to keep it in the Marvel family), where it adapts to anything you can throw at it.
As far as the movie, it was really the same problem I would have with any film that seems to cater rather than give the audience credit for appreciating the intelligence of complex characters. It isn't unique to Spider-Man, I again simply had a greater connection to the story after all those years.
To get deeper into it, Peter Parker may have been a dweeb (something he actually lost quite quickly in the comic, becoming just a regular guy) but it was when he was Spider-Man that he broke out, constantly smart-ass, far more confident, a talker. He was totally wooden in the films, and Parker was stiffer than he EVER was in the comic, even in the first issue. I'd have to watch the films again to really list everything I found specifically terrible, but for the first one, I'd just have to say it was just overall disappointing. The third one was simply awful. No explanation of any of the characters or villians, Sandman thrown in for.... no reason at all, Harry Osborn is evil, no he's not (and he was a GREAT character in the comics), the whole thing was just total crap.
Comics have been massively popular for decades. Hollywood decided to try and translate that to film but of course, the reasons they've been popular couldn't actually be VALID, so we'll just do it the way MOVIES should be done. Despite the success of the Spider-Man franchise (obviously not everyone holds my opinion), almost all superhero comic films have been massive failures (EXCEPTIONS I'm remembering: Hellboy, 300, Sin City, all maverick-type non-Hollywood productions). I think it's kind of a shame, but I'm not really that concerned or horrified, it's just kind of fascinating to watch them do the same things and have them fall flat time after time. I'm hoping Favreau succeeds with Iron Man, but I'm not holding my breath.
Also, Kirsten Dunst is better as the redhead. Even though it's fake.
True, and they even screwed him up. A beautiful wife? The arms are evil and he's not, sacrificing himself at the end?
So you're not eagerly anticipating the Hollywood remake of the Japanese manga adapted Korean Oldboy? I'd say the first Spider-Man film was adequate to good, no more or less so than 300 or Hellboy. I was entertained, but they're nowhere near any favorite movie lists I may compose.
The basic thematic elements in most of the DC and Marvel comic books from the 60s and 70s are classic, and really hooked me. The majority of the film adaptations failed to translate what quite a few people liked about comics. Raimi at least realized that, and I thought Heroes was a fresh take on comic bookery on the (small) screen. The writers had the freedom of more than 2 hours or so to establish what makes the characters tick using classic comic book hero templates.
I'm off to try on my Jon J'onzz costume...
(EDIT: and Batman Returns)
Agree in spades. He was smugissimo yet at the same time subtle; none of that Jack Nicholson I-gotta-take-over-the-movie grandstanding. You really couldn't ask for better comic book acting.
As far as the movie, it was really the same problem I would have with any film that seems to cater rather than give the audience credit for appreciating the intelligence of complex characters. It isn't unique to Spider-Man, I again simply had a greater connection to the story after all those years.
Your whole post was well-said, Lassus; thank you for responding. If they get so far in the series as to treat the parts of it you liked, then maybe they will finally do Spidey (and Lee) justice.
You also left Batman Begins off of the non-massive failure list.
Oh and 300 sucked. The conversation was absurd, and not in a good way like in Sin City.
It was, however, the slickest advertisement for National Socialism ever produced. Leni Riefenstahl wished she could make it look that heroic.
Also, I think "Mystery Men" was based on a graphic novel.
I liked the first Keaton Batman -- no robin, Jack Nicholson as the Joker, reasonable stuff. That franchise went down hill so fast after that, it was shocking.
The first two Christopher Reeves Superman movies were good adaptations, especially given the technical limitations of the time, and the difficulties of working with such a omnipotent character -- except of course for that godawful "turn back the earth -- turn back time" BS, and Gene Hackman as a comic Lex Luthor -- one of the worst performances of his career. The more recent Superman was not too bad.
The X-Man movies have been okay.
Ang Lee's Hulk was unspeakably horrible. Hell, I preferred Bill Bixby and Lou Ferrigno to that mess.
The first Spiderman was not too bad. The second had its moments. Here is hoping the third one kills off the franchise, if that is how it is going to go.
HOWEVER, even if you take these against everything else, hooo-boy. Here's a Wiki list of American comic book superhero films I would deem colloquially as financial failures off the top of my head:
Batman Returns (1992)
Batman Forever (1995)
Batman & Robin (1997)
Captain America (1991)
Catwoman (2004)
Daredevil (2003)
Elektra (2005)
Ghost Rider (2007)
Howard the Duck (1986)
Hulk (2003)
Judge Dredd (1995)
Man-Thing (2005)
The Punisher (1989)
The Punisher (2004)
Red Sonja (1985)
The Rocketeer (1991)
Spawn (1997)
Superman III (1983)
Superman IV: The Quest for Peace (1987)
Swamp Thing (1982)
The Return of Swamp Thing (1989)
Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991)
Teenage Mutant Ninja Turtles III (1993)
This doesn't count the films I count as failures as films. I thought the Fantastic Four films were TERRIBLE oh god make it stop torture please I'll do anything. But even those were financial successes, and 300 absolutely had it's problems.
I just don't think Hollywood has a good superhero success rate. Then again, a majority of films made suck anyhow and are rightfully barely seen, so maybe it's no issue at all.
The Wolverine stand-alone movie should be interesting.
The worse thing about Spiderman to me was the casting of Kirsten Dunst.
The script for Ang Lee's Hulk left a lot to be desired, but I really liked the comic-panel transitions, and I think I get what Lee was trying to do. I need to watch it again. Is there a cut available without the Hulk-hounds?
The best Batman movie ever, btw, is Mask of the Phantasm. Subzero was damn good too, but I might edge Begins ahead of it.
Please keep in mind these were my colloquial judgments and do not take into account foreigns receipts or the fact that I don't actually work in the movie business. They were overall guesses. I was thinking as I was compiling that maybe some of the Batman films may have done all right. Ghost Rider seemed to vanish from the theaters faster than a flaming skeleton on a motorcycle.
I didn't know Road to Perdition was a graphic novel. I'll have to see it now. I thought V is for Vendetta was a pretty reasonable adaptation. From Hell wasn't bad either. The Punisher movie (Thomas Jane, not Dolph) was a fantastic adaptation of Ennis' Welcome Back, Frank.
There are certain problems in translation that will always feel off, particularly for comics that are from long-term series. No movie will ever set enough groundwork for you to really appreciate the nature of Peter Parker's relationship with the Osbornes or Flash Thompson or MJ as it is laid out over years in the books themselves. The magic of Spider-Man in particular is something that doesn't carry the big screen.
The problem that's more blameworthy is when there's this need to make the story bigger and bigger. One villain isn't interesting enough, so we need two or three. Spider-Man 3 was particularly awful in this regard, but Batman did it too until they rebooted with Christian Bale. The other thing is that for some reason, directors can't end the movie without killing the bad guy. So each sequel develops the antagonists less effectively, and races through them, and the later movies have less meat. And then you need to add even more dramatic effect, so you start axing the good guys like in X-Men 3.
Stan Lee admits as much:
I forgot that one. I really loved that comic when it first came out as part of the old "Warrior" magazine from Britain. The adaptation was about as good as you could hope for something of that scope.
If you're going to get into paraphrasing as being the same thing as saying something, this Jesus dude wasn't particularly original either.
Vortex, where is that quote from of someone remembering something Lee might have said?
Nah, the best Batman movie ever was this one.
-- MWE
Also, the fact that there were sequels to BATMAN RETURNS and BATMAN FOREVER is pretty solid evidence that they weren't financial failures. Especially since adjusted for inflation their equivalent domestic grosses were in the mid-$200 million range.
Sorry - I meant to include the link in the original post, and forgot!:
Quote about Stan Lee
I think the chimps could take him. Chimps are much stronger than humans, and have claws and teeth.
I say if he beats his girlfriend again, throw him to the chimps!
And I too thought 300 was terrible.
when did he beat his girlfriend the first time.
Curious. Dukes appears to have zero problems getting women, so what makes you jump to beastiality?
So much so that you would even throw odd's on it happening.
thats some sick repressed chit right there people.
Sorry, but you put Hellboy in the same sentence, and I associate hellboy with Failure.
I thought V is for Vendetta was a pretty reasonable adaptation.
That was good.
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