Mescaline Mike, to me at the bar. “If you want a real sleeper for your fantasy team this year…think Vance Worley.” #mind-fogging
Read More...Vance Worley just got clobbered again, this time by the Braves. There’s no set and certain point at which a start turns into an official clobbering, but looking through Worley’s 2013 game log, I’d say this was the fifth or sixth time he’s been clobbered, in ten games. That’s an ugly ratio, and to make matters worse, recall that Worley was Minnesota’s ...
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1 2 3 >Now, I like Pearl Jam well enough. I'm not a super-fan, and I haven't listened to a lot of their recent stuff, but they wrote a lot of good rock and roll songs. This would be a loss.
However, what if Scott Stapp and Chad Nickelback Uglyface and the rest of them had never heard Eddie Vedder do his Vedder vocal thing? I think Vedder pulls it off, somehow, but he inaugurated a style of rock singing which has been a blight on our culture. If millions people hadn't come to appreciate Vedder, would they have accepted Stapp and Uglyface and the sludgy dirges over which they brayed?
I propose that despite the good music Vedder and company have made, we might be living in a better world if they'd gotten real jobs instead.
Is Vedder's vocal style really all that different from whats-his-dead-name from Alice in Chains or Cobain or whomever from the grunge era?
"I um...gurble, Minnesala Tbans. Go Tbans!"
But otherwise I can get behind the`theory.
But then who would have backed Matt Dillon in Singles???!?!?
Oh yes, at least different from Cobain (I've managed to forget what Alice in Chains sounded like, which is at least one benefit of impending dementia). Vedder does this thing that you can imitate by sort of narrowing your mouth and pushing the base of your tongue forward and singing from low in your throat in a voice lower than you naturally would, preferably the word "well" or "yeah". Cobain was far more natural.
Stone Temple Pilots, Bush, and Creed were the first bands I remember with singers who exactly aped Vedder. In the late 90s & early aughts I got dragged to see a lot of metalish bands in the Tampa area, and they all had a Vedder clone fronting them. The thing is that you can ape him even if you have relatively limited pipes, while someone like Cobain is a lot harder to pull off.
I just learned that zonk is not between the ages of 33-40. I'm guessing older.
Actually, I'm 38!
But seriously - explain to me the distinctions... OK - Layne Staley tended to moan more, but when I hear Jeremy or whatnot, I hear the same vocal stylings I hear in say... most of Nirvana's stuff - just with a different voice doing the yelping.
STP and Creed I can see. Bush? Not so much.
I also have vague memories of something called Silverchair & something else called Candlebox, but I have no idea where they fit on the spectrum; luckily, they're really vague memories.
EDIT:
Silverchair was the Australian kid band that didn't contain Ben Lee. That much I'm clear on.
That's how Trent Reznor saw it:
It shocks me to see Bush go to No. 1. Not to single them out, but I just can't respect them. Do they write good songs? Yeah, they've written some good songs. But I cannot respect or tolerate the lack of innovation.
Music is my life. I know everything I can know about it. I know that it's not background. It's not stuff you put on in the car to drive home from your job at IBM. It means something to me. And that's why I hate when something so uninteresting can be so successful. But I'm going into it with this purist attitude. I can see that Bush song as exactly this Nirvana song. I can tell. #### them for doing that, you know? But it's also well-written enough that a guy who comes home from work can say, "Yeah, that's a good song. These guys rock."
Cobain and Vedder sound(ed) absolutely nothing alike. Compare two live performances:
Nirvana, Breed
Pearl Jam, Black
(And, to be clear, I think "Black" is a pretty great rock song. But Vedder and Cobain sound nothing alike, and you can hear so many of the offenses against sound committed in the last two decades lurking even in Pearl Jam's best singles, and that simply isn't true at all of Nirvana.)
I actually was at a Pearl Jam concert once, though I'm not sure I ever remembered them playing. I was at the 1992 Lollapalooza at Alpine Valley to see Ministry.
This.
The NW sound/grunge just never caught on with me -- which is strange (geographically, at least) because I love the stuff coming out of Vancouver (New Pornographers and the member's solo stuff... much to, I'm sure, Shredder's dismay - haven't been able to get into Destroyer yet).
Also strange - I do/did enjoy much of the stuff that might be that sound's primary influence - Sabbath, Zeppelin, Hendrix, etc. I just truly loathed Alice in Chains, found Nirvana lacking on a personal level (even if I can appreciate the occasional artistry). Pearl Jam, I just found to be the least offensive of the lot. I wasn't a glam metal guy hanging onto lost glory - it was time for that genre to go, I just felt like GnR was doing perfectly fine ridding the world of mascara and spandex.
I likewise enjoyed a lot of the British stuff that was basically an answer to the Seattle sound -- Pulp, Blur, even Oasis.
I like to think I have relatively eclectic tastes - queued up on my ipod right now is a Cheap Trick song off their debut (He's a Whore), which looks to be followed by Los Campesinos, then Marty Stuart... but grunge just never really did it for me. A few things here and there - I could handle Soundgarden in small doses and if what's his other name hadn't died, it's possible I'd have gotten into Mother Love Bone (and we wouldn't have Pearl Jam!)... but I think I'd have really hated living in Seattle in the early 90s.
Edit: also, Vedder was always primarily a basketball fan. Which is a far greater offense than inspiring lackluster copycat vocalists.
I am two years older than zonk and from an indie background. When I started getting into indie music at 15 or 16 grunge was very much an indie form. Pretty much everyone my age with my background has a Mudhoney EP or two stashed away somewhere, next to the My Dad is Dead and Bastro LPs. It's interesting what a vast difference a couple of years can make.
Also, I assume most people here despise Live's Throwing Copper, which went like 7 times platinum, and which would never have sounded like it did if not for Nirvana's success.
Silverchair took a radical departure with the Diorama album in 2002, its more pop than grunge. It didn't sell well, but I've always liked it.
Same here ... except in my case it was Dallas. Only thing of consequence they did was a cover of "Sonic Reducer" -- Pearl Jam, that is, not Ministry.
Sources report that nobody is interested and nobody cares.
Offhand, I can think of 2 songs of theirs I like -- "Glycerine" & "The Chemicals Between Us." Of course, that's 2 more than about 50,000 other bands have come up with.
The story on the ground was that STP actually admitted out loud somewhere that they were the most popular Redd Kross cover band in existence.
"I um...gurble, Minnesala Tbans. Go Tbans!"
Hrbek hrbek hrbek, hrbek hrbek hrbek. Hrbek. Mientkiewicz hrbek.
FWIW, I REALLY liked 16 Stone. Almost every song on the album seemed to be good in a different way.
I don't generally like Grunge. More of a hair-band guy myself because I grew up in the 80s.
This is the best song from the last hairband before Nirvana made Grunge cooler than hair:
http://www.youtube.com/watch?v=5IfiLehLFJw
So it's not like I am fanboying for Grunge.
Did they wring the life right out of that song?
One of the things about early punk is that most (but not all) of songs were pretty uninteresting until infused with the manic glee they were performed with. Take that away and something definitely lacks.
John Waite made craploads of money and had a legitimate career that spanned decades. Jimmy Pursey probably made 5% as much and his big hit could have been written on the bus on the way to the studio and he needed a co-writer for it. But one of them never has to buy a pint at a football pub ever again and it ain't Waite.
In my case, it was a buddy who got Bush tickets shortly after their debut album and could never quite wrap his head around the fact that no one was particularly interested in seeing them. I'm fairly sure he still has 3 unused Bush concert tix somewhere...
Holy crap, I swear to God this opens with the riff from Billy Bragg's "Love Gets Dangerous". Can't listen, cognitive dissonance killing brain!
Alice in Chains, Soundgarden and Pearl Jam all sound pretty similar. Nirvana sounds like the last of the Our Band Could Be Your Life 80s indie bands.
(Apologies for the delay in getting to the relevant part).
Rob Paravonian's Pachelbel Rant
Axis of Awesome, "Four Chords"
Can't say I was expecting a My Dad is Dead reference on BBTF.
I like "Machine Head". It's a good driving song.
I was never a big Soundgraden fan at all, liked but didn't relaly love any Nirvana album until their last one, loved the Screaming Trees, liked some Alice in Chains here and there. I was more of a hard glam-rock and pop type. Redd Kross, Jellyfish, Degeneration, Smashing Pumpkins, Weezer, Nerf Herder, etc. I think my older brother's punk collection of scary bands made most of the grungers seems just like they weren't angry enough.
Russel Crowe's band?
Now when I revisit those earlier albums, it's very easy to hear the differences, both in the music and in the vocals. STP was awesome and sounded almost nothing like Pearl Jam. Same with Soundgarden, Nirvana. Even Alice in Chains, who I never liked, had their own sound. But a lot of the crappy groups that came after them do sound the same, and they sound more like Pearl Jam/Vedder than anyone else.
they were OK - Interstate Love Song is a fine driving tune.
One grunge song I loved - that Temple of the Dog tune "Hungry".
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