Wonder if this includes yesterday’s gripping Trevor Ploof…
Read More...But those numbers don’t tell the whole story.
Advanced defensive metrics tell us what our eyes have likely suggested all season—that the Twins’ defense, for the most part, has very limited range.
It’s true that Twins fielders, collectively, don’t make many errors on balls hit to their range radius—but that radius is not very large. And it’s impossible for a fielder to make an error on a ball he can’t get to.
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< 1 2 3 >Huh, I've found the opposite. I still like most of STP's stuff, not just their hits. Whereas with Pearl Jam, Nirvana, Soundgarden, Alice in Chains, etc, only a few songs have maintained their allure.
They definitely have the most staying power for me. Soundgarden was probably my favorite at the time, and I still listen to Alice in Chains' "Unplugged" if I'm feeling blue. But I still listen to "Purple" and "Tiny Music".
EDIT: I also love Pearl Jam "Vs"
Interstate Love Song is one of the best songs of that era/genre, but the rest of their stuff never did much for me. I think Pearl Jam's Vs was probably the best "grunge" record.
Which uses a Jim Croce riff! From "I've Got a Name". I hated STP from the start, but that's one of the better riff thefts you'll find.
Wow... I was always struck by the familiarity of the riff from the first time I heard the STP song, but I never made the connection. My dad liked to fool around on the guitar quite a bit, and Croce was one of his favorites - so I'm a bit embarrassed I never made the connection.
Aha -- YouTube just told me which one that one is. For some reason, I'd never connected with Bush or with that song title; pretty good track. And of course I hear the opening chords multiple times a week; that's the intro to Paul Finebaum's talk radio show.
I was more into Metal at that time so was listening to Fear Factory, Deftones, Metallica, Tool, Sepultura, Pantera etc.
They absolutely do.
What PreservedFish said.
Also, I suppose the Buzzcocks are in the same boat with regard to all sorts of vapid pop punk acts from the past couple of decades.
Which leads to the strange fact that I loved grunge as a kid but would have agreed at the time that the bands kind of sounded alike, but today I'm less of a fan* but the differences are plain as day.
*Still some of my favorite music, but everyone's favorite music is heavily influenced by their teenage years; if Ten came out today, would I think it's one of the ten best albums of all time? Not likely.
This demonstrates how the term "grunge" drifted over the years. Nirvana sounded generally like the other bands from the late-1980s that were first called grunge. The more metalish Soundgarden et al sound came later.
This sort of semantic drift happens all of the time with musical subgenres. A great example is emo, which you can really hear if you go to the Wikipedia entry on it and listen to the various samples, in order. There is certainly a chain of descent there, marked mostly by the continued survival of the loud-quiet thing and the Mr. Earnest Boy vocal style. But if you just listened to Rites of Spring, then Jawbreaker, then Dashboard Confessional, you'd have a really hard time concluding that they're all the same sort of music, except that they are all broadly American rock music existing in a post- (and in the example of Dashboard Confessional, extremely post-) hardcore world.
EDIT: OTOH, following veer bender, if you've never been into this sort of music then they'll probably all sound the same.
EDIT EDIT:
Well, it'd be such and obvious Creed ripoff...
I used to really like grunge back in the day but only Nirvana still exists on my Ipod. I just moved away from it--I guess I got bored with it. The stuff I still listen to from that time period is Pavement, Fugazi, New Order, the Pixies, Cracker, The Beastie Boys and the Spent Poets. (Just off the top of my head).
There's one sense in which Bush (and to a lesser extent Creed) were filling in the blanks of what would have been recorded if the original big names hadn't changed styles so much, but had gradually grown more polished but tired/jaded.
In another sense, Creed (and to a lesser extent Bush) were directly copying a grunge band that never existed, a perfect amalgam of simple song structures that sound good and "rock"(like Machinehead) but don't go anywhere (unlike say, Would?), along with Vedder vox that give you that angsty feeling, and allow serious lyrics about alienation, etc. to not sound ridiculous to a teenager (not saying Creed's lyrics are any good, but they are serious compared to Motley Crue, and could you imaging them being sung by a hair band singer?). Creed further perfected the product by adding a touch of metal sonics -- heavy, but crisp distortion, with palm-muting, that chugga-chugga sound (if you don't play guitar, turn on Metallica's black album - that sound). It's brilliant, and I thought Creed was kind of great if unoriginal, until I realized I'd been had.
To me grunge was more of a fashion trend than music trend. They seemed were more grouped together by their image than their actual music. Their main musical similarly was mostly that they weren't Warrant or Motley Crue.
My Bloody Valentine and Sonic Youth were said to be related to grunge. Spacemen 3, Galaxie 500.
Foo Fighters prove that Dave Grohl>>>>>>>>Kurt Cobain.
MBV and Galaxie 500 are the only band from that era that I spend a lot of time with these days. Galaxie 500 are my weight lifting music.
I don't really see a MBV-grunge link, other than the meaningless one that they both liked feedback.
I'd say this - and also add KISS.
Too many '>'s? How about Grohl >> Cobain?
Like I said above, I can appreciate Cobain's talents even if I didn't care for his music all that much, but for pure craftsmanship, I think I'll still take Grohl.
I hate to be a dinosaur by saying I'd call it an insult to Lennon/McCartney -- but I sort of feel like Grohl/Cobain fit in that paradigm. Lennon/Cobain were the better 'artists', in that they had a way of capturing the spirit of a specific age and putting it to music, but I think McCartney/Grohl are just better musical craftsmen.
It weirdly works out to a peak vs. career thing and I honestly think that would have been true even if not for the untimely demises.
Might be closer than you think: Do you believe that Grohl's drumming was a big part of Nirvana's greatness? I do. And "he didn't do anything any other drummer couldn't do" isn't a compelling argument when the comparison is to Cobain.
It's really mostly about the songs, right? I count the intro drum fill in Teen Spirit under songwriting. You can not cover that song without nailing that part, because the audience will know it - it's not an interchangeable part with other drum fills. Yeah, it's short and simple, but it's as awesome as anything Cobain contributed.
There's also the inherent interplay in rock bands during songwriting. Natural selection happens a lot as bands play out new ideas in practice/songwriting sessions, especially for loud rock of any type. You can try to write kick-ass riffs in your bedroom, and it does work sometimes, but the band almost always serves to approve/veto/modify everything, even unknowingly. I'm guessing that Grohl was at least as important as the average drummer in shaping Nirvana's songs, given what we know about his later career.
Also speaking of bands from the 90's, I always thought Dream Theater was a grunge band because of "Pull me Under" but turns out they are progressive metal whatever the hell that is.
Your mom is wrong.
A gleeful factoid I have heard in music histories more than 50 times: Nirvana knocked Michael Jackson off the top of the Billboard album chart. This is significant because the new is destroying the old, and the genuine is replacing the artificial, and ha ha ha.
A factoid I have heard in music histories 0 times: Nirvana was then knocked off the top of the Billboard album chart, after 1 week, by Garth Brooks.
In my book, Foo Fighters = replacement level seasons.
The only real question to me is whether you consider Dylan too folkish/not rockish enough to be judged with the other standard bearers in rock.
If I had to pick my favorite still active artist (I don't want to debate Dylan's last good work), I think I'd take the New Pornographers. If I can't pick a supergroup and you force me to identify individual writers, I'd probably fall back on (and I can hear the boos now) I might take Green Day maybe?
edited twice. How embarrassing.
This reminded me of two different Grandpa Simpson flashback bits, one, where he praises Johnny Unitas' "haircut you can set your watch to," and two, when he boos at Woodstock and chants "Bring on Shanana!"
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