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Thursday, May 29, 2014

Grantland: Right Down the Middle

If you’re in the mood for a no-nonsense overview of the state of baseball book publishing in 2014, check this out.

When ideas fail, baseball books drift back to the same place where they’ve been anchored for two decades: the 1950s. Baseball books are instant replay for baby boomers. “There has to be a book every year about Mickey Mantle, Willie Mays, and Ted Williams, or some combination thereof,” said Robert Weintraub, author of The Victory Season, which was published last year. “I’m guilty of that myself.”

The ’50s is farmland already tilled by literary HOFers like David Halberstam and Roger Kahn, by Jane Leavy and Richard Ben Cramer. Each go-round leaves fewer available plots. Leavy did Mantle in 2010. James S. Hirsch did Mays the same year. So it was inevitable that in 2013, Allen Barra would do them both, in the dual biography Mickey and Willie. If an author finds his mandate getting too small, he compensates by going big. Last year, Ben Bradlee Jr.’s biography of Ted Williams came in at a whopping 784 pages.

There’s a funny thing about the boomers trudging to the shelves. The overfamiliarity of the old ballplayers isn’t a turnoff; it’s the sell. “What you want if you’re a reader is to pull back a curtain on a time you remember well,” explained literary agent David Black.

AndrewJ Posted: May 29, 2014 at 09:52 PM | 56 comment(s)
  Beats: authors, baseball books, books, nostalgia

Monday, April 21, 2014

ESPN: W. P. Kinsella: Where It Began: “Shoeless Joe”

Reflections on the 25th Anniversary of Field of Dreams:

I replied that to me, writing a novel was akin to a baker baking a loaf of bread: So long as the buyers pay for the bread, they were free to do with it as they chose. If they made dainty sandwiches, fine. If they fed it to their gerbils, fine. I realized that most books optioned for movies became gerbil food. I’ve never understood authors who are proprietary with their work, fighting any changes of plot or character. All I care about is being properly paid.

“Field of Dreams” was a stunning exception. I wept when I read the finished screenplay. “This is my own work doing this to me,” I said. “How can this happen?”
. . .
I loved the movie. Novels and movies are entirely different art forms. I don’t see how Phil Robinson could have done a better job of successfully transferring one to the other.

How have things changed in the past 25 years since the release of the movie? Fathers and sons still bond playing catch, still attend baseball games together, still share warm and luminous memories of games and players gone but not forgotten.

I have received letters from every part of the world, mainly from younger men, about how the ending of the movie affected them. Moved by those final scenes, men traveled, often thousands of miles, to take their fathers to baseball games, or just to have a catch in the backyard.

Much more in TFA.


 

 

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