Baseball Primer Newsblog— The Best News Links from the Baseball Newsstand
Tuesday, January 03, 2012
Read This All Together (See What Happens) As Derek Jeter’s career comes to a close here in the next few years, it got me thinking, is he the best player to never win an MVP award? It seems to me that he’s had a couple of very close calls, but never finished first. Am I over-looking anyone? Who are the greatest players to never win an MVP award? Is there anyone else who will be/was a first-ballot hall of famer that never got the award?
Asked by: hansjn
Answered: 1/2/2012
... I think, if my research is good, there are nine first-ballot Hall of Famers who didn’t win an MVP Award—Puckett, Boggs, Gwynn, Ozzie, Brock, Molitor, Kaline, Winfield, Eddie Murray. Carlton Fisk was a second-ballot Hall of Famer and didn’t win, so we can make an All-Star team out of them (C—Fisk, 1B—Murray, 2B—Molitor, 3B—Boggs, SS—Ozzie, LF—Brock, CF—Puckett, RF—Gwynn, Kaline and Winfield.) Whether Dirty Rotten is the best of these players I will leave to another time.
what do you think jeters outlooks are on being in the top 3-4 shortstops of all time by the end of his career?
Asked by: bill byrd
Answered: 1/3/2012
I think he’s in the top four.
Bob Gregory and I have been arguing about which song is the best rock and roll song in history for months. I‘m trying to convince him that “Carry on Wayward Son” is the best; the one song that has everything that a true rock and roll classic needs. He isn’t buying it. Do you have a horse in this race?
Asked by: ventboys
Answered: 1/2/2012
... forced to pick, I think the best sober picks are the over-played and too-often heard Rolling Stones songs of the late sixties. ..Brown Sugar, Satisfaction, Jumpin’ Jack Flash, etc. I think the Stones are kind of the Babe Ruth of this competition; it’s cooler and sexier to argue for Musial or Mays or Ted Williams, but the Beast in the back of the room is the Bambino.
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What's that make The Beatles?
Derek Jeter
Lou Gehrig. Pretty incredible, but not as good as the Babe. Also, a shortened career.
The Kansas pick is just bizarre.
"Gloria"- Patti Smith
Not as good as the Stones. Or the Who.
Did any of them lead their league in WAR or oWAR or VORP in any year? Maybe Boggs? Jeter in 1999?
Nickelback = Yuniesky Betancourt
On a stormy sea of moving emotion
Tossed about I'm like a ship on the ocean
"Dirty Rotten"?
Folks, we have a winner.
Trying to downgrade the Beatles is like standing on the shore and yelling at the water to get lost.
I am betraying a Texas bias here, but "La Grange" by ZZ Top seems to me a concentrated bit of excellence. It's got energy, attitude, and guitar licks that have made many a garage interior happy :)
"Satisfaction" isn't my favorite song of theirs either, not by a long shot, and I even agree that some of their others are more representative of the Stones as a band.
But to me, the question of "best" in this context means something closer to "archetypical" than any kind of aesthetic judgment. So we're not looking for the most representative of the Stones' work, but the most representative of rock as a musical genre. It's a subtle but important difference.
Folks, we have a winner.
Hey hey hey. At least Yuni is an actual baseball player.
As for the Stones, I've always preferred Paint it, Black. Not a particularly iconic song for them, though. I suspect it is the song most people like best who don't much care for the Stones.
Worst obituary ever.
how many true rock songs did they write
Best song: "Paperback Writer".
Carry on Wayward Son
A great song...when I was 15.
quintessential rock song
"96 Tears".
I resisted the temptation! These discussions are always about Boomer music, anyway.
"Instant Karma" is great, but it's a John Lennon recording. The Beatles' best rocker may be either "I'm Down," where Paul McCartney fully unleashes his inner Little Richard, or "Day Tripper."
If we're going to choose a song from the late '70s, then it should be some early Elvis Costello -- "Mystery Dance" or "Pump It Up."
From the earlier Elvis, "All Shook Up" ("Blue Suede Shoes," too, although I prefer Carl Perkins' original).
Kaline would be my choice among those listed. Surprising that Mel Ott never won the MVP, despite leading the league in OPS+ 5 times and being a good defensive outfielder.
Honus Wagner is the best to never win the award though. If the award were around in it's present format during his career, he probably would have won about 12 of them. Or at least deserved to. As it is, there were a few MVP awards given during his playing time and his best finish was #2 in 1912.
I will also nominate the Talking Heads' Life During Wartime (a late-Boomer entry :)
Not just Rock and Roll Music...
i agree with this, but i think of the stones as being more about rock and roll as a way of life and less about music vs. the beatles.
'can't you hear me knocking?' is just about the most perfect rock and roll song ever, just for the opening riff, but there are a lot of other stones songs that are just about as good. honky tonk women, midnight rambler, etc.
This. And Born to Run.
If the Boomers didn't buy it, does it still count as Boomer music?
Chuck Berry has half a dozen songs as good as anything that's been mentioned.
But the Beatles have to be the best when it comes to varied excellence and have the best, most complex vocals--hell, four lead singers covering the entirety of the scales with three guys who could do back up with the best of the doo-wops. Can't beat that.
I actually saw ? and the Mysterians at the Empty Bottle in the late 90s. They actually put on quite a show.
He has lots of friends in Washington.
I do wonder if any of the folks he works with knows...
I have a friend who insists that Back from Samoa is the greatest album ever made.
That's what Rolling Stone picked as the best song - period - about 8 or 9 years ago.
Though that's sort of like Entertainment Weekly picking "That's Entertainment." (A joke EW itself made.)
But we can probably all agree that carry on my wayward son is an awful choice. Although I suppose that too reflects how you view "rock 'n' roll" -- the 70s were big on long, pointless "story" songs of mysterious "meaning". Stairway to Heaven, Hotel California, Love Reign o'er me (a personal fave), just about anything by Rush, Styx or even Steely Dan; and sure you can add some of Springsteen's stuff although at least most of those are pretty clearly about a guy and a girl running away from it all. Anyway, if your rock virginity was taken by those 70s "classics" I can see how you'd consider those sorts of songs to be iconic examples of rock. Still not sure how you get to Carry on my Wayward Son though ... it's half-baked Jethro Tull.
Oops, I forgot, Tull were heavy metal. :-)
Meanwhile ...
Jeter vs. Fisk -- draw
Jeter > Puckett
Jeter < Boggs
Jeter vs. Gwynn -- think I may have to go Jeter on position and durability
Jeter > Winfield
Jeter < Kaline
(Jeter < Ott obviously)
Jeter > Murray -- see Gwynn
Jeter > Molitor
Jeter vs. Ozzie -- impossible; matter vs. anti-matter
Probably, in its own reprehensible way, it is. I saw liner notes on a comp one time that said if the PMRC had gotten a whiff of this thing...
Rubber Soul
Revolver
Velvet Underground & Nico
Exile on Main Street
Born to Run
London Calling
Murmur
Reckoning
Let it Be
Tim
Fear of a Black Planet
Nevermind
Odelay
All better than Jeter.
But the thing about The Beatles, when it came to definition, they were essentially l'etat c'est moi
Born to be Wild is a GREAT GREAT GREAT rock and roll song, as good as anything the Stones did, come to thk of it, so was Magic Carpet Ride... unfortunately The Stones cranked out quite few more songs at ro near that level than Steppenwolf did.
The Real Me would have been a contender with a differnet bass mix (sound/tuning)
Also back in the 70s/80s just about ever AOR station said the answer to this question was Stairway to Heaven...
Plus this is the "problem" with the Beatles- A Day in the Life is a great work of music, but I'm not sure it is Rock n Roll. Yesterday is a great song- but I am sure it is not Rock n Roll.
Also, Purple Haze
and how about outliers, great songs from bands/people who actually weren't all that good- Hot Blooded was a great Rock song, but Foreigner was just kind of meh... Jessie's Girl was actually kind of good, Rick Springfield most definately sucked.
My favorite example of the kind of creative decade they had came a couple of years ago when Gordon of Peter & Gordon died, and there were major obituaries citing "A World without Love," which is indeed a lovely song and deserved to have been a #1 hit. And come to find that Paul McCartney wrote the song as a way of showing that he could write something that could succeed without being attached to Beatlemania. It's like finding out that Albert Pujols is throwing nohitters as a winter-ball pitcher.
Vortex, I don't see Back From Samoa on there. I also don't see The Romantics on there and that's just inexcusable. Pink Leather Suits on the cover of their debut album playing music that was either 15 years too late or 15 years too early. Though there's no defending what happened to them after that I'm afraid.
Great band (after whom I named my first ever fantasy baseball team back in '88, plus of course Metal Mike gets bonus points for being from Little Rock), but I'll take "Inside My Brain" or "Right Side of My Mind," if you please.
They could have been the greatest rock-and-roll band ever, if they had wanted to be.
Twaddle!
Play too much Guitar Hero...oh, and Queen shits out songs better than COMWS.
As to the Beatles, I don't think the Beatles can objectively be called a Rock band. Yes, they were far ranging, but they weren't (say) a country band, or a heavy metal band and they really didn't ply their craft in the Rock waters enough IMO (I'm not dissing what they did, just saying that it's not really Rock).
Using the Stones as a frame of reference, Ithe Stones are not a Country band because of Country Honk and Far Away Eyes (or even Factory Girl) or a Reggae band because of CHerry Oh Baby or even an Arab band because of Continental Drift.
Rock and Roll: A Hard Day's Night; Help; Revolution; Helter Skelter; I Feel Fine; Ticket to Ride; She Loves You; Tell Me Why; You Can't Do That; Yer Blues; You're Gonna Lose That Girl; Day Tripper; Eight Days A Week; I Am the Walrus (yes, the epitome of fonky); I Should Have Known Better.
I was going to say--they cover their tracks well. They assimilated their influences so completely that it's hard to trace and detect, unlike the other great bands, especially hard rock bands. They're just frigging original.
Hearing The Who destroying "Dancing in the Sreets" is another howling bad cover , the Beatles closest rival to either of these two would be "Mister Moonlight" and Lennons vocal just about saves it.
She Sells Sanctuary by The Cult
Anarchy in the UK
No Time
More than a Feeling
Smells like Teen Spirit
Young Lust
Fortunate Son
Staying Alive (ok I'm kidding, I was watching Staurday Night Fever a few nights ago, and I can't say that any "good" movie has aged as badly as that one, the music, the clothes the hair, the accents, it all combines into one massively hideous parody- and yet it was meant as- and at the time perceived as- a gritty drama) Staying Alive is a great song, or a great riff in search of a song- but now halfway through you think, why no drummer? (lierally there wasn't one, they used a perpetually looped 3 beat drum track) and why have a grown man sing in that chipmonky falsetto? (Because they did it once as a joke and got a hit out of it, and so went back to that well time and again...)
Asia
Beatles
Cars
Divinyls
ELO
Frankie Goes to Hollywood
Genesis
Heart (old)
INXS
The Jam
Lynyrd Skynyrd
Motorhead
Nirvana
Oingo Boingo
Pink Floyd
Queen
Rush
Split Enz
Tom Petty and the Heartbreakers
Ultravox
Van Halen
Wall of Voodoo
XTC
The song has all the pieces you need to be a great rock song.
- big name band (possibly the best rock band of all time)
- long song, but not unbearably (too long and it's tedious, too short and it's over too soon to really enjoy)
- guitar solo of note
- emphatic vocals (with the prerequisite "yell/scream" part)
- interesting lyrics that demand numerous playbacks to get it all
- the song evolves from start to finish (minimal at the beginning, wall of sound at the end)
- unforgettable "hook" ("WOO-WOO!")
- controversial topic
- historical interest (supposedly "that song" from Altamount, not played for years)
- iconic enough that everyone wants to cover it
I actually think it's a very good movie. I don't think it's supposed to be gritty in the way Taxi Driver is gritty, but it holds up well as a coming of age story. My boss at my old firm was actually from Bay Ridge and lived through the Disco era. He used to say the movie brought back a lot of memories.
The book that inspired it is pretty good, too. The Master and Margarita by Mikhail Bulgakov. Highly recommended.
I had a friend who thought that Kansas was just awesome. My ticket into heaven is that although he would play them constantly, I refrained from killing him.
But can a rock song be a samba?
Relax
totally forgot that band existed
more:
The Logical Song
Don't Bring me Down
Another One Bites the Dust
Lump
Straight to Hell
Operation Spirit (The Tyranny of Tradition)
Movin Out (1st rock song I learned all the lyrics to, why? I know longer know but figure there must have been a reason)
Plus: I Want to Hold Your Hand, From Me to You, Twist and Shout, Please Please Me, Boys, It Won't Be Long, Roll Over Beethoven, Money, Please Mr. Postman, Hold Me Tight, I Wanna Be Your Man, A Hard Day's Night, Can't Buy Me Love, Any Time at All, Long Tall Sally, Dizzie Miss Lizzie, I'm Down, I've Just Seen a Face, Bad Boy, Rain, Paperback Writer, And Your Bird Can Sing, Taxman, Getting Better, Good Morning Good Morning, Sgt Pepper (Reprise), Hey Bulldog, Everybody's Got Somethign to Hide Except for Me and My Monkey, While My Guitar Gently Weeps, Birthday.
They had a lot of rock in their earlier years. In 1963-64, it was pop but they also rocked harder than anyone else at that time. Compare "She Loves You" to "Walk Like a Man." Both 1963. Early Beatles were the perfect fusion of pop and rock. No one has ever replicated it. Well, maybe the Undertones for a few songs.
Ultravox- One Small Day
Split Enz- I Got You
Tom Petty- A Woman in Love (what you thought I was gonna say Refugee)
Wall of Voodoo- I have no recollection of any song other than Mexican Radio
XTC- ??? Dear God was ok but overrated, Senses Working Overtime was simply hideous, I've been told the have good songs, but I've never heard them - maybe they do/did, but I heard the same thing about The Smiths- and having been subjected to several of their (and Morriesey's) albums due to a sibling being a big fan I knwo that wasn't quite true.
Van Halen- Ain't Talking About Love
and Would by Alice in Chains
And the Buzzcocks for more than a few, I'd say.
I'll second that recommendation. I read this last year. Great story.
(album containing linked song is great, by the way)
"Making Plans for Nigel." Alao a fair amount of the 2nd LP, "Go 2."
Other than "Suedehead" & "Every Day is Like Sunday," pretty much all the Morrissey anyone needs is Your Arsenal.
About 50%.
I can certainly see where you coming from, though. "Pop" to me covers a lot. Just because a song is a pop song doesn't mean to me that can't be assigned to a more telling genre. Pop is whatever is popular.
However I would also point out that a lot of the Beatles stuff is hybrid--they were particular good at cross breeding ballads and rock and roll. Take the fast ballad, The Ballad of John and Yoko. Almost folk, sort of like Dylan's Tangled in Blue, except distinctly Lennon. If Stairway to Heaven is Rock and Roll, then so is A Day in the Life. If some punk is rock and roll, then so is Walrus and, for that matter, Come Together (and speaking of original--this is Lewis Carroll with a Blues beat and R&R fringes).
But, I might agree. It's easy to see the blues influences in Clapton, or even the Bill Haley and Carl Perkins influence in Elvis, but the Beatles just seem to do songs that are classified as Beatles song. Their very early songs, I Wanna Hold Your Hand, etc., may be pop, or even bubble gum, but it's still excellent elemental rock and roll, Beatles style.
Dream Police
They were a band you just wished wrote/worked with better songs
also
Jefferson Airplane- Somebody to Love/Volunteers of America
Jefferson Starship- Jane/Find Your Way Back
Starship- absolutely nothing of redeeming value
And for some people that is what rock is. If you are one of those people, then it's clearly silly to put The Beatles at the top. If you ascribe to a more broad theory of rock then it's hard to argue for anyone but The Beatles.
For precisely the Babe Ruth argument - they weren't just the best (or at least one of the best) at one thing. They were also really good at something completely different. The versatility is what really sets them apart.
Ex-cellent!
Yeah.
And the Beatles could cover someone else's big hit and make it sound like it's all theirs--and that includes Chuck Berry and Little Richard. In songs like Twist & Shout and Slow Down, they shave off that R&B fat and made it pile-driving carnality (especially with Lennon arrangements and lead vocals--his lead in say Twist & Shout takes it to verge of incoherence, yet he never breaks form).
Exactly.
I'm not sure I knew they had one. Perhaps I've blocked it out of my memory.
I love XTC, but they have a lot of great songs and a lot of over-written songs with overly complicated melodies and overly clever lyrics. And most of their hit singles are in the latter category (exceptions: "Respectable Street", "Ballad of Peter Pumpkinhead", "Mayor of Simpleton"). I think a collection of their 12 biggest hits would be less enjoyable than any of their actual albums except maybe their debut and "Apple Venus". Meanwhile the odds-and-ends collection "Rag and Bone Buffet" is fantastic.
71, the Beatles are not seen as the best band ever because of their early work - it's what they did AFTER their early period that turned them into Gods (depending on your tastes, they started changing into a sui generis entity with Rubber Soul or Revolver).
"Back in Flesh" is great. Neat cover of "Ring of Fire," too. They even survived Stan Ridgway's departure in fine style, IMHO -- speaking of covers, check out their version of the Beach Boys' "Do It Again."
The original version of the band, with John Foxx on vocals, was far better, IMO -- see "Satday Night in the City of the Dead," "My Sex" or "Hiroshima Mon Amour," among others.
Also, whatever the best Rock and Roll song of all time is- it needs to be about #######. Hence "Gloria" by Patti Smith. Or maybe "Teenage Kicks."
Do you mean the awful John and Yoko Christmas song, or the awful Paul McCartney Christmas song?
Has anybody deciphered "Louie Louie" yet?
I think he's talking about "My Sweet Lord."
I know that, but I think their early stuff has been underrated by and large. Revolver is their best album, though.
For No One - not a rocker, but the most underrated Beatles song of all. A pure gem.
What Gef said, and here's the second track after 'Making Plans for Nigel' on Drums and Wires.
I agree about the later stuff being overproduced (Hello (it's me) Todd Rundgren!!)
"Christmas Time (Is Here Again)". A little ditty written and recorded (in a couple of hours) in 1967 as part of their annual Christmas single for their fan club. Never meant to be commercially released, and it wasn't during their heyday, but it came out as a b-side of "Free As a Bird" during the 1990s.
I think this is about right -- and I think it's also why "Satisfaction" should probably get the nod. It's got everything you need -- broad popularity and accessibility, enough anti-authority double-entendre, memorable guitar licks, anthemic, etc.
I think the Beatles were better musicians - and you could pick any number of Beatles tunes as better aesthetically... The Who may have encapsulated rock's soul a bit better at their height -- but "Satisfaction" is probably the consensus Ruth of rock music.
Interesting also-rans in the Ted Williams sense of not anything to be ashamed about would probably include:
Born to Run - probably the best of the US-born set
Johnny B Goode - if you're a bit older/more historically appreciative
I'm sure there's an Elvis song or two
I'd agree with Born to be Wild as archetypal - but that's sort of like including Jim Rice in the discussion based solely on 1978 (bear with me, I know if you normalize it per era and park it's just a very, very good season - but best I could think of off the top of my head).
Also -- props to the group for not just one, but two Cheap Trick mentions... Criminally underrated band, IMO.
"Satisfaction" may be the Ruth -- but I think "Surrender" is the Johnny Mize of rock.
I would have a hard time coming up with a better American rock band (doing this to intentionally exclude Springsteen) album than either the self-titled debut or maybe In Color. The debut in particular -- the fact that it's the same band on the same album that's able to do both the almost punkish rock of "He's a Whore", while also the words-don't-fit-the-music beauty of "Oh, Candy".... good stuff.
One thing I will say is that it seems to me that what I define as Rock & Roll, which was epitomized by the Stones better than anybody else and which had a tradition that ran together with or down from the Stones is in moribund condition.
The Beatles, having painted with a broader canvas to paint with, are certainly more influential than the Stones (*)
(*) One proviso: I think the Stones have been hurt by their longevity, in the sense that they've always been there. Even periods which are not particularly seen as great Stones periods produced great work, but the general media culture is not enamoured by the Stones as it used to be (since they are old men by now).
Though you do have to wonder if McCarney or Lennon would have been seen as the keeper of the Pirate code and the Pirate all others emulate look up to at 64 (when they were supposed to be, you know, dead), without actually knowing how to act.
"She Loves You" sounds like Vivaldi compared with "Surfin Bird" or the Wailers, and then "The Witch"/"Keep A'Knockin" was 1964.
And then there is stuff like this and this, both of which are from 1956. The guitars on those Rock and Roll Trio records are absolutely filthy.
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